Cinescope the innocents3/8/2023 In addition to teasing both possibilities, the film also makes a far more subtle statement about childhood’s inevitable, metaphorical death: All innocent children must eventually grow into corrupted adults, and adults will only suffer for trying to cling to this innocence.Īesthetically, The Innocents is a testament to insinuation and mood over cheap shocks. Sure, siblings Miles and Flora may be possessed by ghosts, but it is equally possible that the film’s supernatural elements are merely a delusional fantasy concocted by Miss Giddens (Deborah Kerr), the child-like, unstable governess assigned to watch over the children and their sprawling, English estate. These unambiguous reveals are nowhere to be seen in Jack Clayton’s The Innocents (1961), perhaps the best of all “evil child” films, precisely because it refuses to placate viewers with such concrete answers. In all of these films, the children are ultimately revealed (at least to the audience, if not to all of the characters) as the monsters they are: Rhoda Penmark is indeed a serial killer Damien is indeed Satan’s offspring and Esther is indeed a psychotic adult masquerading as a child, respectively. Films like The Bad Seed (1956), The Omen (1976, 2006), and Orphan (2009) derive their chills from subverting the universal image of children as uncorrupted, innocent creatures. The “evil child” horror subgenre has long been a Hollywood staple. Las lentes Panavision llegarían a ser el Standard de Hollywood.The film makes a far more subtle statement about childhood’s inevitable, metaphorical death: All innocent children must eventually grow into corrupted adults, and adults will only suffer for trying to cling to this innocence. PANAVISION: Trabajó con MGM (65mm o 70mm)-> MGM Camera 65: Raintree County (1957), Ben-Hur (1959),ĭespués desarrolló SuperPanavision 70 con especificaciones tecnicas parecidas a Todd-AO: Exodus (1960), West side story (1961), Lawrence de arabia (1962). Solo se lanzaron 16 peliculas en este formato: South Pacific (1958), Porgy and Bess (1959). Todd-AO (Todd American Optical): 65mm (70mm) la primera fue Oklahoma! (1955), Around the world in 80 days (1956). CINERAMA: three cameras (35mm) and three projectors. La primera fue White Christmas (1954) Paramount did not use anamorphic processes such as CinemaScope but refined the quality of their flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a larger area, which yielded a finer-grained projection print. Fue la respuesta de Paramount a Cinemascope. is a higher resolution, widescreen variant of the 35 mm motion picture film format which was created by engineers at Paramount Pictures in 1954. Panavision:1959-1983 Super Panavision 70 was the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 19. Gentlemen prefer blondes (1.37:1 pero el numero es widescreen). First movies: The Robe, How to marry a millionaire. After that time by some error 20th Century Fox forgot to renew the name - CinemaScope. 2.66:1 y con el audio se estandarizo a 2.35:1. Cinerama, Cinemascope, Vistavision, Todd-AO,y Panavision fueron los mas importantes.Ĭinepanaromic, Cinemascope 55, Dyaliscope, MGM Camera 65, Panascope, Panavision, Super Panavision 70, Superscope, Technirama, Techniscope, Todd-AO, Ultra Panavision 70, Vistascope, VistaVision, Vistarama.
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